[Hiring] Performance Creative Editor @Everyday Dose Inc.

Role Description

We sell mushroom coffee direct to consumers. Paid ads on Meta and Google are how we grow, and the creative is the variable that decides whether it works. We test continuously and we measure what wins, so the feedback you get here is specific rather than taste-based.

Our creative strategists write the scripts and own the angle. You own the execution and, specifically, the first five seconds. You will ship 15 to 25 finished ads a month, deliberately fewer than most performance shops expect, because we would rather you spend the hours deciding what to change than cutting another variant nobody learns from.

What you will do:

• Cut paid ads for Meta and Google from scripts and angles handed to you by a strategist. Vertical, sound-on, short, fast-paced.
• Own the hook. The script arrives written; the first five seconds are your call.
• Iterate winners, not only originate. Most of your month is making something that already works work harder.
• Build variants that change one thing on purpose.
• Read your own numbers. You get access to our creative analytics and attribution tools, and your output is measured.

Qualifications

• Three or more years cutting ads that ran on a paid account.
• Paid ads as the spine of your work.
• A performance number you personally moved on a specific piece of creative, before and after.
• You know which metrics decide and which mislead.
• AI creation, fluently and invisibly.
• Premiere or DaVinci to a professional standard, plus After Effects or CapCut.
• English good enough to argue with a media buyer about why a hook is wrong.
• Your own machine, reliable internet, a quiet place to take a call.

Requirements

• Strongly preferred: Supplements, wellness, beverage, beauty or DTC subscription.
• Range across the formats direct response actually runs on.
• Creative analytics tooling such as Motion, Triple Whale or Northbeam.
• Cutting from creator and UGC footage.

Benefits

• Independent contractor, ongoing, invoiced monthly. Not employment.
• Remote, anywhere in Mexico, Brazil, Argentina, Colombia, Chile, or Uruguay.
• Async by default. We ask for 2-3 hours of daily overlap with Austin, Texas (Central Time).
• Full-time equivalent effort.
• Yours. We provide software seats (Adobe CC, Motion, Frame.io) and all footage, product and creator assets.
• Start as soon as the right person is found.

Before you apply

We decline a lot of genuinely skilled editors who have never cut a direct-response ad. That wastes everyone's time, so, plainly:

• Not a fit if your portfolio is mainly corporate or internal communications, brand films, weddings and events, news or broadcast, documentary, event recaps and sizzle reels, music videos, real estate, podcast production, long-form YouTube, or B2B training.
• The test: can you name a brand that paid to distribute something you cut, and the metric you were judged on?
• A cover letter that repeats this posting back to us reads exactly as it sounds. Tell us about your work instead.